STRICTLY NO ELEPHANTS



 

 There was this door which loved playing pranks. It loved surprising people,  catching them off guard, making them wonder where they were and what to  do next. It moved around, appeared, disappeared,  camouflaged itself into a church entrance , a pub door, a forbidding prison gate. 

So John who went  regularly  to the neighbourhood bar around the corner with a swinging glass door,  to down umpteen pints of beer,  found himself one day  in front of an imposing,  carved wooden church doors , slightly ajar, as if inviting him to step in. He shook his head to clear it, blamed it on one too many pints and walked around the block to find himself this time in front of a large wrought iron gate with a signboard proclaiming zoo in fancy lettering. He looked incredulously at the signboard, pinched himself hard to see if he was awake, then decided to rush back home and sleep throughout the day , terribly scared that he would not be able to find the door to his house.

It saw a little girl going to her grandma’s house with a small white elephant on a leash. In a flash it positioned itself in front of granny’s house and sported a sign in bold white letters which read “Strictly No Elephants.”

Mina looked up, saw the sign and stopped on the door step. She didn’t know what to do. She couldn’t leave Hati behind. He accompanied her wherever she went. And she very much wanted to visit her dear granny who she knew would have never put up such a sign.She looked and looked but the door was exactly like the one in front of her granny’s building and the houses one either side were also exactly the same.  It must be someone  from the building she thought, someone who’s scared of elephants. 

She was in a dilemma. She wanted to see her granny but she did not want to disobey the notice either. So after a while she told Hati, “Let’s  pretend you are a dog.”  Please, please don’t give me away. Remember to bark and not  trumpet when someone pats you on the head.  


Arunima Choudhury

 

LOSS



 

 


I miss
those I have left behind,
n’ those who have left me behind.
Loss lurks around 
the skylight of my being,
shadowing my awakening. 

Nostalgia
has spread like fungus.
Mycellium running through veins,
nourishing cells with the mirage
of memories.        

And yet,
sitting under the shade
of an umbrella pine,
this hot summer day,
gaze dreaming on
the blue Mediterranean,
there is peace.  

 

 








A few Haikus, a few pretend Haikus and and a few inspired by Haikus

 

 




 

 

 Childhood 

1. Languid  summer afternoons
    lying wrapped in ma’s cotton sari,
    her scent a gentle presence.

2. In the smaller room, 
    sun on a wooden clothes rack, 
     Ma’s saris, underskirts and blouses. 

3. My widowed grandma
    in white sari, emblem of widowhood
    with shrivelled onion breasts. 

 Adolescence

  April month of fire, 
  the *loo's fevered breath, scorching
  my unguarded face.  

 
 * 
The Loo is a strong, dusty, gusty, hot and dry summer wind from the west which blows over           the Indo- Gangetic region of North India and Pakistan.

        School

In the hall a  glass cupboard 
of ceramic geishas in 
 pretty, flower kimonos, 
serene gaze in oval face.
The Principal’s’ collection. 
A lonely child stops to look,
her mistrust of the dragon
allayed by their beauty. 
 

Memory 

  Summer afternoons,
  beige curtains drawn, shadowed room,
  having tea with pa.

            

        Absence 

 
The clothes line on the balcony
without the morning’s washing of 
worn under-shirts, sarongs, towels, 
flapping in the sea breeze. 
An infinitesimal pattern of life 
swept clean by death.   

 

 


STRICTLY NO ELEPHANTS

   There was this door which loved playing pranks. It loved surprising people,  catching them off guard, making them wonder where they were ...